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Andrew Lloyd Webber Cats is completely told through music with no dialogue in between the songs, [74] although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities.
Such a rapid familiarity and identification of purpose can be achieved through pastiche. But it was only a musical starting point, for the songs in Cats move beyond the source " Elvis " pastiche of Joseph and the Amazing Technicolor Dreamcoat ; they are less pointed, more the free workings within a range of chosen styles than direct copies of a specific performer or number.
The audience responds to the musical differences, given an initial security provided by the familiarity of recognizable, underlying stylistic generalities.
How can this be solved?
Namely, the score relies heavily on recurring motifs as well as the use of preludes and reprises. According to musicologist Jessica Sternfeld, such numbers are usually relegated to the prologue and nothing more, as seen in " Another Op'nin', Another Show " from Kiss Me, Kate and " Tradition " from Fiddler on the Roof.
These numbers allow the cats to celebrate their tribe and species as a whole, in between the ones that celebrate individual members. The risky hiring of a British choreographer, Lynne, for a British dance musical was described by one historian as "a vivid and marvellous gesture of transatlantic defiance". It moved to Montreal two years later and then toured other parts of Canada. Police are still believed to be at the scene this afternoon Friday, September At his sentencing at the Old Bailey on Monday, Mr McCarroll's family and friends described him as a kind man and devoted father-of-two.
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